Cultural Appropriation and the Arts (New Directions in Aesthetics)

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Seller Inventory n. Book Description Condition: NEW. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Book Description Wiley-Blackwell, This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.

From the Back Cover : Cultural appropriation is a pervasive feature of the contemporary world. Buy New Learn more about this copy. The Parthenon Marbles remain in London. Works of art from indigenous cultures are held by many metropolitan museums. From North America to Australasia, artists have appropriated motifs and stories from aboriginal cultures.

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Novelists and filmmakers from one culture have taken as their subject matter the lives and practices of members of other cultures. The practice of cultural appropriation has given rise to important ethical and aesthetic questions: Can cultural appropriation result in the production of aesthetically successful works of art?

Is cultural appropriation in the arts morally objectionable? These questions have been widely debated by anthropologists, archaeologists, lawyers, art historians, advocates of the rights of indigenous peoples, literary critics, museum curators and others.

At root, however, these questions are philosophical questions. Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Table of contents Preface. Chapter One: What is Cultural Appropriation? Art, Culture, and Appropriation. Types of Cultural Appropriation. What is a Culture?


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Objections to Cultural Appropriation. In Praise of Cultural Appropriation. The Cultural Experience Argument. Aesthetic Properties and Cultural Context.


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Authenticity and Appropriation. Authentic Appropriation. Cultural Experience and Subject Appropriation.

Cultural Appropriation and the Arts (New Directions in Aesthetics)

Appropriation and the Authentic Expression of a Culture. Possible Owners of Artworks. Cultures and Inheritance. Lost and Abandoned Property. Cultural Property and Traditional Law. Collective Knowledge and Collective Property.

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Ownership of Land and Ownership of Art. Property and Value to a Culture. Cultures and Intellectual Property. Some Conclusions about Ownership and Appropriation. The Rescue Argument. Cultural Appropriation and Harmful Misrepresentation. From North America to Australasia, artists have appropriated motifs and stories from aboriginal cultures. Novelists and filmmakers from one culture have taken as their subject matter the lives and practices of members of other cultures.

(PDF) Cultural Appropriation and the Arts | James Young - humedejixyca.tk

The practice of cultural appropriation has given rise to important ethical and aesthetic questions: Can cultural appropriation result in the production of aesthetically successful works of art? Is cultural appropriation in the arts morally objectionable? These questions have been widely debated by anthropologists, archaeologists, lawyers, art historians, advocates of the rights of indigenous peoples, literary critics, museum curators and others.

At root, however, these questions are philosophical questions.